Sparks of Inquiry: Two Key Debates on Early Metalworking in China
DOI:
https://doi.org/10.52152/heranca.v7iSpecial.1125Keywords:
Chinese Bronze Age, Metalworking, Origins, Lost-wax Casting, Sheet-Metal TechniquesAbstract
The origins of metalworking in Bronze Age China have long been a subject of interdisciplinary inquiry, drawing the attention of scholars in art history, archaeology, and the history of technology. This scholarly focus has developed against the backdrop of Southwest Asia’s traditionally recognized (though debated) status as the primary metallurgical center of the Old World, where sheet-metal techniques such as hammering (forging) and annealing constituted foundational elements of its early metalworking traditions. Rather than reducing the distinctions between section-mold casting in early China and lost-wax casting in the broader ancient “West” (e.g., Southwest Asia and Europe) to a simplistic dichotomy, it is essential to emphasize that the early Chinese bronze industry was defined by its pronounced reliance on casting. Although lost-wax casting eventually appeared in early China, its verified use in the archaeological record postdates and remains far less prevalent than the region’s long-established tradition of section-mold casting. The scarcity of archaeological attestations for lost-wax casting has thus fueled ongoing academic debate—not only concerning its technical application but, more fundamentally, its very existence as a distinct metalworking practice in pre-Han periods (prior to 202 BC). The debates over lost-wax casting and sheet-metal working in early China are closely tied to broader questions about the technological foundations of Bronze Age metalworking in the region. This paper critically engages with these debates, situating them within their wider historiographical context while evaluating their implications for current understandings of prehistoric metallurgical innovation and the emergence of Bronze Age society in China.
Downloads
References
Alifujiang, N. (2023). Xinjiang Tuoli jun Narensu mudi kaogu fajue jianbao [Archaeological excavation report of the Narensu cemetery in Tuoli County, Xinjiang]. Wenbo [Archaeology and Museology], 2, 3-17.
Amiet, P. (1974). Antiquités du désert de Lut: À propos d'objets de la Collection Foroughi. Revue d'Assyriologie et d'archéologie Orientale, 68(2), 97-110.
An, J., & Li, J. (1983). Dengfeng Wangchenggang yizhi de fajue [Excavation of the Wangchenggang site in Dengfeng]. Wenwu [Cultural Relics], 3, 8-20.
An, Z. (1956). Zhongguo xinshiqi shidai de wuzhi wenhua [Material culture of Neolithic China]. Wenwu Cankao Ziliao [Cultural Relics Reference Materials], 8, 41-49.
Andersson, J. G. (1923). An early Chinese culture (also in Chinese as “Zhonghua yuangu zhi wenhua”). Bulletin of the Geological Survey of China (Peking), 5, 1-68.
Andersson, J. G. (1943). Researches into the prehistory of the Chinese. Bulletin of the Museum of Far Eastern Antiquities, 15, 7-304.
Bagley, R. W. (1987). Shang ritual bronzes in the Arthur M. Sackler collections. Washington, DC: Arthur M. Sackler Foundation; distributed by Harvard University Press.
Bagley, R. W. (1990). Shang ritual bronzes: Casting technique and vessel design. Archives of Asian Art, 43, 7-20.
Bagley, R. W. (1993). Meaning and explanation. Archives of Asian Art, 46, 6-26.
Bagley, R. W. (1999). Shang archaeology. In M. Loewe & E. L. Shaughnessy (Eds.), The Cambridge history of ancient China (pp. 124-231). Cambridge, UK: Cambridge University Press.
Bagley, R. W. (2008a). Interpreting prehistoric designs. In P. Taylor (Ed.), Iconography without Texts (pp. 43-68). London, UK: Warburg Institute Colloquia 13.
Bagley, R. W. (2008b). Max Loehr and the study of Chinese bronzes: Style and classification in the history of art. Ithaca, NY: Cornell East Asia Series.
Bagley, R. W. (2009). Anyang mold-making and the decorated model. Artibus Asiae, 69(1), 39-90.
Bagley, R. W. (2014). Erligang bronzes and the discovery of the Erligang culture. In K. Steinke & D. C. Y. Ching (Eds.), Art and archaeology of the Erligang civilization (pp. 19-48). Princeton, NJ: Princeton University Press.
Bagley, R. W. (2015). Gombrich among the Egyptians and other essays in the history of art. Seattle, WA: Marquand Books.
Bai, Y. (2002). Zhongguo de zaoqi tongqi yu qingtongqi de qiyuan [The origins of early copper and bronze artifacts in China]. Dongnan Wenhua [Southeast Culture], 7, 25-37.
Bai, Y. (2003). A discussion on early metals and the origins of bronze casting in China. Chinese Archaeology, 3(1), 157-165.
Bar-Adon, P. (1980). The cave of treasure: The finds from the caves in Nahal Mishmar. Jerusalem, Israel: Israel Exploration Society.
Barnard, N. (1961). Bronze casting and bronze alloys in ancient China. Canberra, Australia: Australian National University.
Barnard, N. (1963). [Review of the book Archaeology in China. Vol. 1: Prehistoric China; Vol. 2: Shang China, by T. K. Cheng]. Monumenta Serica, 22(1), 213-255.
Barnard, N. (1980). Wrought metal working prior to Middle Shang (?): A problem in archaeological and art-historical research approaches. Early China, 6, 4-30.
Barnard, N. (1990). Shang ritual bronzes in the Arthur M. Sackler collections: A review article [Review of the book Shang Ritual Bronzes in the Arthur M. Sackler Collections, by R. W. Bagley]. T'oung Pao, Second Series, 76(4/5), 271-298.
Barnard, N. (1996). The entry of cire-perdue investment casting, and certain other metallurgical techniques (mainly metalworking) into South China and their progress northwards. In F. D. Bulbeck & N. Barnard (Eds.), Ancient Chinese and Southeast Asian bronze age cultures (Vol. 1, pp. 1-94). Taipei, China: SMC.
Barnard, N., & Tamotsu, S. (1975). Metallurgical remains of ancient China. Tokyo, Japan: Nichiosha.
Barr-Sharrar, B. (1982). Dionysos and the Derveni krater. Archaeology, 35(6), 13-19.
Barr-Sharrar, B. (2008). The Derveni krater: Masterpiece of classical Greek metalwork. Princeton, NJ: American School of Classical Studies at Athens.
Barr-Sharrar, B. (2012). The eschatological iconography of the Derveni krater. In M. Denoyelle, S. Descamps-Lequime, B. Mille, & S. Verger (Eds.), Bronzes grecs et romains, recherches récentes (electronic version, 2017). Paris, France: Publications de l’Institut national d’histoire de l’art. http://books.openedition.org/inha/3976
Beijing Daxue Kaogu Wenbo Xueyuan & Qinghai sheng Wenwu Kaogu Yanjiusuo. (Eds.). (2016). Guinan Gamatai [The Gamatai site of Guinan]. Beijing, China: Science Press
Bourgarit, D., & Mille, B. (2007). Les premiers objets métalliques ont-ils été fabriqués par des métallurgistes? L'Actualité chimique, 312-31, 54-60.
Bushell, S. W. (1904). Chinese art. London, UK: H. M. Stationery Office.
Bylin-Althin, M. (1946). The sites of Ch'i Chia P'ing and Lo Han T'ang in Kansu. Bulletin of the Museum of Far Eastern Antiquities, 18, 383-554.
Calmeyer, P. (1969). Datierbare bronzen aus Luristan und Kirmanshah. Berlin, Germany: Walter de Gruyter.
Chang, K. C. (1983). Art, myth, and ritual: The path to political authority in ancient China. Cambridge, MA: Harvard University Press.
Childs-Johnson, E. (2023 ?). Ancient China’s Bronze Age libation rite beginning with the jue guan rite of the Shang era and ending with the zan guan rite during the Middle Western Zhou period. Retrieved from https://www.academia.edu/103009785/Jade_and_Bronze_Paper_Bronze_Age_Libation.
Craddock, P. T. (2015). The metal casting traditions of South Asia: Continuity and innovation. Indian Journal of History of Science, 50(1), 55-82.
Creel, H. G. (1935). On the origins of the manufacture and decoration of bronze in the Shang period. Monumenta Serica, 1(1), 68-69.
Davey, C. J. (2009). The early history of lost-wax casting. In M. Jianjun & T. Rehren (Eds.), Metallurgy and civilisation: Eurasia and beyond (pp. 147-154). London, UK: Archetype.
Davidson, J. L. (1937). Toward a grouping of early Chinese bronzes. Parnassus, 9, 29-34, 51.
Dong, Y., Pan, L., Wan, Q., Zhou, W., Ma, J., & Wang, C. (2008). Zaitan Zenghou Yi zun-pan de zhuzao gongyi [Revisiting the casting technique of the Zenghou Yi zun pan]. Zhongyuan Wenwu [Cultural Relics of Central China], 1, 97-107.
Du, J. (1990). Tao jue: Zhongguo gudai jiuqi yanjiu zhiyi [The jue vessel: A study of ancient Chinese wine vessels, part one]. Kaogu [Archaeology], 6, 519-530.
Du, J. (1992). Fengding he yanjiu [Study of the capped he]. Kaogu Xuebao [Acta Archaeologica Sinica], 1, 1-34.
Du, J. (1994). Shangzhou tong jue yanjiu [Research on bronze jue vessels from the Shang and Zhou Dynasties]. Kaogu Xuebao [Acta Archaeologica Sinica], 3, 263-298.
Eskandari, N., Niknami, K. A., & Vidale, M. (2021). The Bronze Age center of Shahdad, South-East Iran: ‘Hollow’ vs. nucleated early urban models in the light of site formation processes. East and West, 61(1), 31-46.
Fairbank, W. (1962). Review of Noel Barnard’s ‘Bronze Casting and Bronze Alloys in Ancient China.’ Technology and Culture, 3(2), 178-180.
Falchetti, A. M. (2008). The Darién gold pendants of ancient Colombia and the Isthmus. Metropolitan Museum Journal, 43, 39-74.
Falkenhausen, L. (2024). “Preface,” for Peng Peng, Origins: Copper and Bronze Metallurgy in Early China (tentative book title). Amsterdam, Netherlands: Amsterdam University Press.
Fitzgerald-Huber, L. G. (1983). The relationship of the painted pottery and Lung-shan cultures. In D. N. Keightley (Ed.), The Origins of Chinese Civilization (pp. 177-216). Berkeley, CA: University of California Press.
Fitzgerald-Huber, L. G. (1995). Qijia and Erlitou: The question of contact with distant cultures. Early China, 20, 17-67.
Fong, W. (Ed.). (1980). The Great Bronze Age of China: An Exhibition from the People’s Republic of China. New York, NY: Metropolitan Museum of Art and Knopf.
Gao, G., & Shao, W. (1981). Shiqian tao gui chulun [Preliminary study on prehistoric pottery]. Kaogu Xuebao [Acta Archaeologica Sinica], 4, 428-459.
Gao, J. (2009). Henan Xichuan Xiawanggang yizhi chutu tongmao guanmohui jiyao [Summary of the seminar on the bronze spear excavated from the Xiawanggang site in Xichuan, Henan]. Zhongguo Wenwubao [China Cultural Relics News], March 6.
Gao, J., & He, N. (2014). Taosi yizhi chutu tongqi chutan [Preliminary study of the bronze artifacts excavated from the Taosi site]. Nanfang Wenwu [Cultural Relics in Southern China], 1, 91-95.
Gettens, R. J. (1969). The Freer Chinese bronzes (Vol. 2: Technical studies). Washington, DC: Smithsonian Institution.
Gettens, R. J., Clarke, R. S., Jr., & Chase, W. T. (1971). Two early Chinese bronze weapons with meteoritic iron blades. Washington, DC: Freer Gallery of Art.
Gu, W. (1977). Mantan xinshiqi shidai caitao tu’an huawendai [A discussion on the decorative patterns of painted pottery in the Neolithic period]. Wenwu [Cultural Relics], 6, 67-71.
Hakémi, A. (1972). Catalogue de l'exposition Lut Xabis (Shahdad). Téhéran, Iran: Premier Symposium Annuel de la Recherche Archéologique en Iran.
Hakémi, A. (Ed.). (1997). Shahdad: Archaeological excavations of a Bronze Age centre in Iran. Rome, Italy: IsMEO.
Han, J. (2011). Longqiuzhuang wenhua de beishang yu Dawenkou wenhua de xingcheng [The northward movement of Longqiuzhuang culture and the formation of Dawenkou culture]. Jianghan Kaogu [Jianghan Archaeology], 1, 59-64.
Han, W., Ding, B., Zhang, Y., & Sun, B. (1954). Henan Dengfeng xian Yucun guwenhua yizhi gaikuang [Overview of the Yucun site of ancient culture in Dengfeng County, Henan]. Wenwu Cankao Ziliao [Cultural Relics Reference Materials], 6, 18-24.
Hein, A. (Ed.). (2014). The “crescent-shaped cultural-communication belt”: Tong Enzheng’s model in retrospect. Oxford, UK: BAR International Series.
Hemingway, S. (2000). Bronze sculpture. In R. Ling (Ed.), Making classical art: Process & practice (pp. 37-46). Chicago, IL: Tempus Publishing.
Herzfeld, E. E. (1941). Iran in the ancient East: Archaeological studies presented in the Lowell Lectures at Boston. London, UK: Oxford University Press.
Hiebert, F. T. (1994). Production evidence for the origins of the Oxus civilization. Antiquity, 68, 372-387.
Hiebert, F. T., & Lamberg-Karlovsky, C. C. (1992). Central Asia and the Indo-Iranian borderlands. Iran, 30, 1-15.
Ho, P. T. (1975). The cradle of the East: An inquiry into the indigenous origins of techniques and ideas of Neolithic and early historic China, 5000–1000 B.C. Chicago, IL: University of Chicago Press.
Hosler, D. (2014). Mesoamerican metallurgy: The perspective from the West. In B. W. Roberts & C. P. Thornton (Eds.), Archaeometallurgy in Global Perspective (pp. 329-360). New York, NY: Springer.
Houser, C. M. (2011, April 22). [Review of the book The Derveni Krater: Masterpiece of Classical Greek Metalwork, by B. Barr-Sharrar]. CAA Reviews. Retrieved from http://caareviews.org/reviews/1619#.ZGdMNexBzvU
Hua, J. (1985). Shilafa de qiyuan he fazhan [The origins and development of the lost-wax method]. In Kejishi wenji: Jinshushi zhuanji [Collection of the history of science and technology: Special issue on metal history] (pp. 63-81). Shanghai, China: Shanghai Scientific & Technical Publishers.
Hua, J. (2010). Zhongxifang shilafa zhi tongyi: Jianping ‘Xian Qin bu cunzai shilafa’ yi shuo [Similarities and differences in lost-wax casting between the East and West: A critique of the claim that lost-wax casting did not exist in pre-Qin China]. Kaogu [Archaeology], 4, 87-96.
Huang, X. (1997). Tao gui qiyuan tantao [Exploration of the origins of pottery]. Dongnan Wenwu [Southeast Culture], 2, 59-62.
Hunt, L. B. (1980). The long history of lost wax casting: Over five thousand years of art and craftsmanship. Gold Bulletin, 13(2), 63-79.
Hwang, M. (2014). Maixiang zhongqi shidai: Zhutong jishu de shuru yu Zhongguo qingtong jishu de xingcheng [Toward the age of heavy vessels: The introduction of casting technology and the formation of Chinese bronze technology]. Zhongyang Yanjiuyuan Lishi Yuyan Yanjiusuo Jikan [Journal of the Institute of History and Philology], 85(4), 575-678.
Jaang, L. (2011). Long-distance interactions as reflected in the earliest Chinese bronze mirrors. In L. von Falkenhausen (Ed.), Lloyd Cotsen study collection of Chinese bronze mirrors: Volume II: Studies (pp. 31-49). Los Angeles, CA: Cotsen Occasional Press and Cotsen Institute of Archaeology Press.
Jia, Z., Kuang, Y., & Jiang, T. (1983). Yuxian Wadian yizhi fajue jianbao [Brief report on the excavation of the Wadian site in Yuxian]. Wenwu [Cultural Relics], 3, 37-48.
Jones, J., & King, H. (2002). Gold of the Americas. New York, NY: Metropolitan Museum of Art.
Karlbeck, O. (1935). Anyang moulds. Bulletin of the Museum of Far Eastern Antiquities, 7, 42-46.
Karlgren, B. (1945). Some weapons and tools of the Yin dynasty. Bulletin of the Museum of Far Eastern Antiquities, 17, 101-144.
Keightley, D. N. (1987). Archaeology and mentality: The making of China. Representations, 18, 91-128.
La Plante, J. D. (1988). Ancient Chinese ritual vessels: Some observations on technology and style. Early China, 13, 252-253.
Lamberg-Karlovsky, C. C., & Hiebert, F. (1992). The relation of the finds from Shahdad to those of sites in Central Asia. JANES, 21, 135-140.
Lapérouse, J. F. de. (2016). Metallurgy: Early metallurgy in Mesopotamia. In H. Selin (Ed.), Encyclopedia of the history of science, technology, and medicine in non-Western cultures (pp. 3187-3201). Dordrecht, Netherlands: Springer.
Lechtman, H. (1988). Traditions and styles in Central Andean metalworking. In R. Maddin (Ed.), The Beginning of the Use of Metals and Alloys: Papers from the Second International Conference on the Beginning of the Use of Metals and Alloys, Zhengzhou, China, 21-26 October 1986 (pp. 344-378). Cambridge, MA: MIT Press.
Ledderose, L. (2001). Ten thousand things: Module and mass production in Chinese art. Princeton, NJ: Princeton University Press.
Li, C. (1931). Fushen zang [Prone burial]. Anyang fajue baogao [Anyang excavation report], 3, 447-480.
Li, C. (1957). The beginnings of Chinese civilization: Three lectures illustrated with finds at Anyang. Seattle, WA: University of Washington Press.
Li, C. (1977). Li Ji Kaoguxue Lunwenji [Collected papers on archaeology by Li Chi], vol. 2. Taipei, China: Lianjing.
Li, M. (2018). Social memory and state formation in early China. Cambridge, UK: Cambridge University Press.
Li, Y., Zhang, F., Tan, D., Hua, J., & Zhang, M. (2007). Xu Gong Ning toukong panhui wen qingtong shijian—Xian Qin shilafa zhi yi qili [The Xu Gong Ning hollow bronze ornament with coiled dragon pattern—An example of lost-wax casting in pre-Qin China]. Zhongyuan Wenwu [Cultural Relics of Central China], 1, 96-103.
Li, Z. (1976). Guangyu Gaocheng Shangdai tongyue tieren de fenxi [Analysis of the bronze axe and iron blade from the Shang Dynasty at Gaocheng]. Kaogu Xuebao [Acta Archaeologica Sinica], 2, 17-34.
Lin, M., & Liu, X. (2017). The origins of metallurgy in China. Antiquity, 91(359), e6. https://doi.org/10.15184/aqy.2017.177
Liu, L., & Chen, X. (2012). The archaeology of China: From the late Paleolithic to the early Bronze Age. New York, NY: Cambridge University Press.
Liu, Q. (2022). A history of un-fractured Chinese civilization in archaeological interpretation. Singapore, Republic of Singapore: Springer.
Liu, S. (2022). [Review of the book Metalworking in Bronze Age China: The lost-wax process, by P. Peng]. Asian Perspectives, 61(1), 177-179.
Liu, Y., Zhang, C., Hu, D., & Yue, Z. (2013). Jishu xuanze he jishu fengge de xingcheng: Yi ding weili kaocha Erlitou shiqi dao wanshang qingtongqi de jishu yanjin [The formation of technology choices and styles: A study of the technological evolution from the Erlitou period to late Shang bronzes]. In K. Chen (Ed.), Jinyu Jiaohui: Shangzhou Kaogu, Yishu yu Wenhua Lunwenji [The Intersection of Gold and Jade: Collected Papers on Shang and Zhou Archaeology, Art, and Culture] (pp. 191-218). Taipei, China: Institute of History and Philology, Academia Sinica.
Loehr, M. (1951). Ordos daggers and knives: New material, classification and chronology. Second part: Knives. Artibus Asiae, 14(1/2), 77-162.
Loehr, M. (1953). The bronze styles of the Anyang period (1300–1028 B.C.). Archives of the Chinese Art Society of America, 7, 42-53.
Lu, C. C. (2007). Qingtong jue, jia de mimi: Cong shiqian tao gui dao Xia-Shang wenhua qiyuan bing duandai wenti yanjiu [The secrets of bronze jue and jia: A study from prehistoric ceramics to the origins of Xia and Shang culture and chronological issues]. Hangzhou, China: Zhejiang University Press.
Lyonnet, B., & Dubova, N. A. (Eds.). (2021). Questioning the Oxus civilization or Bactria-Margiana archaeological culture (BMAC): An overview. In The world of the Oxus civilization (pp. 7-65). London, UK: Routledge.
Martinón-Torres, M., & Uribe-Villegas, M. A. (2015). The prehistoric individual, connoisseurship and archaeological science: The Muisca goldwork of Colombia. Journal of Archaeological Science, 63, 136-155.
Maryon, H., & Plenderleith, H. (1954). Fine metal-work. In A history of technology (pp. 623-662). Oxford, UK: Oxford University Press.
Mattusch, C. C. (1988). Greek bronze statuary: From the beginnings through the fifth century B.C. Ithaca, New York: Cornell University Press.
Mattusch, C. C. (1996). Classical bronzes: The art and craft of Greek and Roman statuary. Ithaca, New York: Cornell University Press.
Mille, B., Bessenval, R., & Bourgarit, D. (2004). Early ‘lost-wax casting’ in Balochistan (Pakistan): The ‘Leopards weight’ from Shahi-Tump. In T. Stöllner, R. Slotta, & A. Vatandoust (Eds.), Persiens antike Pracht, Bergbau-Handwerk-Archäologie (Der Anschnitt Beiheft 12, pp. 274-280). Bochum, Germany: Deutsches Bergbau Museum.
Mitsukuni, Y. (1954). Yōhan ni tsuite [About the casting mold]. Kagakushi Kenkyu [Journal of the History of Science], 30, 5-8.
Miyamoto, K. (2019). Erlitou yizhi Erlitou wenhua zhi Erligang wenhua guoduqi de qingtongqi shengchan [Bronze production during the transition from Erlitou culture to Erligang culture at the Erlitou site]. Nanfang Wenwu [Cultural Relics in Southern China], 2, 95-102.
Moorey, P. R. (1982). The archaeological evidence for metallurgy and related technologies in Mesopotamia, c. 5500–2100 BC. Iraq, 44(1), 13-38.
Moorey, P. R. S. (1974). Ancient bronzes from Luristan. London, UK: British Museum.
Moorey, P. R. S. (1988). Early metallurgy in Mesopotamia. In R. Maddin (Ed.), The beginning of the use of metals and alloys: Papers from the Second International Conference on the Beginning of the Use of Metals and Alloys, Zhengzhou, China, 21-26 October 1986 (pp. 28-33). Cambridge, MA: MIT Press.
Moorey, P. R. S. (1994). Ancient Mesopotamian materials and industries: The archaeological evidence. Oxford, UK: Clarendon Press.
Notis, M. R., & Wang, D. (2017). Ancient Chinese bronze casting methods: The dilemma of choice. MRS Advances, 2(33-34), 1743-1768.
Peng, P. (2018). Was lost-wax casting adopted in pre-Qin Chinese bronze art?. Orientations, 103-111.
Peng, P. (2020). Metalworking in Bronze Age China: The lost-wax process. Amherst, NY: Cambria Press.
Peng, P. (2021). Decentralizing the origin of civilization: Early archaeological efforts in China. History of Humanities, 6(2), 515-548.
Peng, P. (2023). Between piece molds and lost wax: The casting of a diatrete ornamentation in early China rethought. Humanities and Social Sciences Communications, 10(456), 1-12.
Potts, D. T. (2008). Puzur-Inšušinak and the Oxus civilization (BMAC): Reflections on Šimaški and the geo-political landscape of Iran and Central Asia in the Ur III period. Zeitschrift für Assyriologie und Vorderasiatische Archäologie, 98(2), 165-194.
Qiu, S. (2015). 14C cenian yu Zhongguo kaogu niandaixue yanjiu [14C dating and the study of archaeological chronology in China]. Beijing, China: China Social Sciences Press.
Qiu, S., Cai, L., & Zhang, X. (2006). Guanyu Erlitou wenhua de niandai wenti [On the chronological issues of Erlitou culture]. In D. Jinpeng & X. Hong (Eds.), Erlitou yizhi yu Erlitou wenhua yanjiu [Research on the Erlitou site and culture] (pp. 321-332). Beijing, China: Science Press.
Qiu, S., Cai, L., Xian, Z., & Bo, G. (1983). Youguan suowei ‘Xia wenhua’ de tan shisi niandai ceding de chubu baogao [A preliminary report on the carbon-14 dating of the so-called ‘Xia culture’]. Kaogu [Archaeology], 10, 923-928.
Rawson, J. (2017). Shimao and Erlitou: New perspectives on the origins of the bronze industry in central China. Antiquity, 91(355), e5. https://doi.org/10.15184/aqy.2016.234
Shang, G. (2016). Tushuo Zhongguo gongyi meishushi [Illustrated history of Chinese arts and crafts]. Hong Kong, China: Open Page.
Shao, W. (1980). Tong gui de qishi [Insights from the bronze gui]. Wenwu [Cultural Relics], 2, 86-89.
Steward, J. H. (1955). Theory of culture change: The methodology of multilinear evolution. Champaign, IL: University of Illinois Press.
Strahan, D. (2019). Debating the use of lost-wax casting in ancient China. Retrieved from https://asia.si.edu/wp-content/uploads/2023/04/Forbes-Lecture-lost-wax-ancient-china.pdf
Su, B. (2019). Zhongguo wenming qiyuan xintan [New explorations into the origins of Chinese civilization]. Beijing, China: SDX Joint Publishing Company.
Su, R. (2012). Moji: Su Rongyu zixuanji [Sharpening the halberd: Selected works of Su Rongyu]. Shanghai, China: Shanghai People's Publishing House Co., Ltd..
Su, R. (2014). Erlitou wenhua yu Zhongguo zaoqi qingtongqi shengchan de guojiaxing chutan: Jianlun nifan kuaifanfa zhuzao qingtongqi de youguan wenti [An initial exploration of the national characteristics of Erlitou culture and early bronze production in China: Discussion on issues related to clay mold casting of bronzes]. In H. Xu (Ed.), Xia Shang duyi yu wenhua [The Capital Cities of Xia and Shang and Their Culture] (Vol. 1, pp. 342-372). Beijing, China: China Social Sciences Press.
Su, R. (2021). Kuaifanfa yu Zhongyuanshi shilafa: Chunqiu shibian xia qingtong jishu de ben yu mo [The section-mold method and the lost-wax process of the Chinese Central Plains: The root and branch of bronze technology in the Spring and Autumn period]. In Zhejiang Daxue Yishu yu Kaogu Yanjiu Zhongxin (Ed.), Zhongguo zaoqi shushu, yishu yu wenhua jiaoliu: Li Ling xiansheng qiyi huadan qingshou lunwenji [Early Chinese numerology, art, and cultural exchanges: A collection of essays celebrating the 70th birthday of Mr. Li Ling] (pp. 93-183). Hangzhou, China: Zhejiang University Press.
Su, R., Hua, J., Li, K., & Lu, B. (1995). Zhongguo shanggu jinshu jishu [Ancient Chinese metallurgical technology]. Jinan, China: Shandong Science and Technology Press Co., Ltd..
Sun, S., & Han, R. (2000). A study of casting and manufacturing techniques of early copper and bronze artifacts found in Gansu. In K. M. Linduff, H. R. Han, & S. Sun (Eds.), The beginnings of metallurgy in China (pp. 175-194). Lewiston, NY: The Edwin Mellen Press.
Sun, Z., Shao, J., Di, N., Shao, A., Xia, N., Liu, H., & Kang, N. (2020). Shaanxi Shenmushi Shimao yizhi Huangchengtai dataiji yiji [The Huangchengtai Platform Remains at the Shimao Site in Shenmu, Shaanxi]. Kaogu [Archaeology], 7, 34-46.
Tang, L. (1979). Lun Dawenkou wenhua zhong de tao wenqi [On the pottery warming vessels in Dawenkou culture]. Gugong Bowuyuan Yuankan [Palace Museum Journal], 2, 46-47.
Tong, E. (1987). Shilun woguo cong Dongbei zhi Xinan de biandi banyuexing wenhua chuanbodai [A discussion of the crescent-shaped cultural communication belt from Northeast to Southwest China]. In Wenwu yu kaogu lunji [Collected Papers on Cultural Relics and Archaeology] (pp. 17-43). Beijing, China: Cultural Relics Press.
Vidale, M. (2017). Treasures from the Oxus: The art and civilization of Central Asia. London, UK: I.B. Tauris.
Wang, J. (2002). Tan Zeng Hou Yi zun pan de zhuzao gongyi [On the casting technique of the Zenghou Yi zun-pan]. Dongnan Wenhua [Southeast Culture], 1, 70-74.
Wang, J., & Wang, W. (2014). Shiyan kaogu: Zhongguo qingtong shidai toukong qingtongqi nifan zhuzao gongyi qiushi [Experimental archaeology: Research on the casting techniques of hollow bronze vessels in China’s Bronze Age]. Ku Chin Lun Heng [Ancient and Modern Discussions], 26, 4-34.
Wang, Y., & Zhang, C. (2004). Qilu shiqian wenhua yu sandai liqi [Prehistoric culture of Qilu and ritual vessels of the Three Dynasties]. Jinan, China: Shandong Qilu Press Co., Ltd..
Watson, W. (1961). China before the Han dynasty. London, UK: Thames and Hudson.
Watson, W. (1971). Cultural frontiers in ancient East Asia. Edinburgh, UK: Edinburgh University Press.
Weeks, L. (2008). The 2007 early Iranian metallurgy workshop at the University of Nottingham. Iran, 46(1), 335-345.
Wertime, T. A. (1964). Man’s first encounters with metallurgy: Man’s discovery of ores and metals helped to shape his sense of science, technology, and history. Science, 146(3649), 1257-1267.
Wu, H. (1985). Bird motifs in Eastern Yi art. Orientations, 16(10), 30-41.
Xu, D. (2021). Zhongguo gudai qingtongqi shilafa zhuzao zhi bianlun [Debating the lost-wax casting of ancient Chinese bronzes]. Translated by K. Yinghao, L. Yingjun, & M. Qinglin. Dongfang Kaogu [East Asia Archaeology], 18, 224-245.
Xu, H. (2021). Dongya qingtongchao: Qian jiaguwen shidai de qiannian bianju [East Asian Bronze Tide: A Millennium of Change in the Pre-Oracular Script Era]. Beijing, China: SDX Joint Publishing Company.
Xu, H. (2022). Zuizao de Zhongguo [The Earliest China]. Hong Kong, China: Open Page.
Yetts, W. P. (1927). An exhibition of early Chinese art. The Burlington Magazine for Connoisseurs, 51(8), 90-92.
Yetts, W. P. (1929). The George Eumorfopoulos collection: Catalogue of the Chinese & Corean bronzes, sculpture, jades, jewellery, and miscellaneous objects. London: E. Benn.
Yetts, W. P. (1935). Recent finds near An-yang. The Journal of the Royal Asiatic Society of Great Britain and Ireland, 67(3), 467-474.
Zauho Kankokai. (Eds.). (1982). Sekai tōji zenshū [Ceramic art of the world] (Vol. 10). Tokyo, Japan: Shogakukan, Nezu Museum.
Zhang, C. (2007). Guanyu Zeng Hou Yi zun pan shifou caiyong shilafa zhuzao de shuping [A commentary on whether the Zenghou Yi zun-pan used lost-wax casting]. Jianghan Kaogu [Jianghan Archaeology], 4, 85-90.
Zhang, C. (2017). Longshan-Erlitou: Zhongguo shiqian wenhua geju de gaibian yu qingtong shidai quanqiuhua de xingcheng [Longshan-Erlitou: Changes in the pattern of prehistoric culture in China and the formation of globalization in the Bronze Age]. Wenwu [Cultural Relics], 6, 50-59.
Zhang, X., & Zhang, X. (1990). Beijing Pinggu Liujiahe Shangdai tongyue tieren de fenxi jianding [Analysis and identification of the bronze axe and iron blade from the Shang Dynasty at Liu Jiahe, Pinggu, Beijing]. Wenwu [Cultural Relics], 7, 66-71.
Zhang, X., Li, Y., & Alifujiang, N. (2023). Xinjiang Tuoli xian Narensu mudi chutu yuntieqi fenxi [Analysis of the iron artifacts excavated from the Narensu cemetery in Tuoli County, Xinjiang]. Xiyu Yanjiu [Journal of Western Region Studies], 3, 88-94, 175.
Zhang, X., Qiu, S., Cai, L., Bo, G., Wang, J., & Zhong, J. (2007). Xinzhai-Erlitou-Erligang wenhua kaogu niandai xulie de jianli yu wanshan [Establishment and refinement of the archaeological chronological sequence for the Xinzhai, Erlitou, and Erligang cultures]. Kaogu [Archaeology], 8, 74-89.
Zhao, C., Zhang, S., Gu, W., Wang, W., & Li, W. (2004). Henansheng Xinmishi Xinzhai yizhi 2000 nian fajue jianbao [Brief report on the excavation of the Xinzhai site in Xinmishi, Henan Province, 2000]. Wenwu [Cultural Relics], 3, 4-20.
Zhao, Q. (1958). Nanjing shi Beiyinyangying di yi-er ci de fajue [Excavations at the Beiyinyangying site in Nanjing, first and second seasons]. Kaogu Xuebao [Acta Archaeologica Sinica], 1, 7-23.
Zhao, S. (2006). Chunqiu shiqi shilafa zhuzao gongyi wenti tantao [An exploration of lost-wax casting techniques during the Spring and Autumn period]. Zhongyuan Wenwu [Cultural Relics of Central China], 6, 84-91.
Zhao, X. (1968). Dongtian qingluji [Pure records of the Cave Heaven] (originally published in the 1230s/1240s). Taipei, China: Yee Wen Publishing Company.
Zheng, G. (1995). Erlitou taoqi wenhua luelun [A brief discussion of Erlitou pottery culture]. In Erlitou taoqi jicui [Collection of Erlitou pottery] (pp. 1-38). Beijing, China: China Social Sciences Press.
Zheng, X. (1963). Shandong Weifang Yaoguanzhuang yizhi fajue jianbao [Brief report on the excavation of the Yaoguanzhuang site in Weifang, Shandong]. Kaogu [Archaeology], 7, 347-350.
Zhongguo Kexueyuan Kaogu Yanjiusuo Luoyang Fajuedui. (1961). 1959 nian Henan Yanshi Erlitou shijue jianbao [Brief report on the 1959 test excavation at Erlitou, Yanshi, Henan]. Kaogu [Archaeology], 2, 82-85.
Zhongguo Qingtongqi Quanji Bianji Weiyuanhui. (1996). Zhongguo qingtongqi quanji [Complete series on Chinese bronzes] (Vol. 1). Beijing, China: Cultural Relics Press.
Zhongguo Qingtongqi Quanji Bianji Weiyuanhui. (1997). Zhongguo qingtongqi quanji [Complete series on Chinese bronzes] (Vol. 2). Beijing, China: Cultural Relics Press.
Zhongguo Shehui Kexueyuan Kaogu Yanjiusuo. (2014). Erlitou 1999—2006 [Erlitou 1999—2006]. Beijing, China: Cultural Relics Press.
Zhou, W., & Huang, W. (2015). Lost-wax casting in ancient China: New discussion on old debates. The Journal of the Minerals, Metals & Materials, 7, 1629-1636.
Zhou, W., Dong, Y., Wan, Q., & Wang, C. (2006). Zhongguo qingtong shidai bu cunzai shilafa zhuzao gongyi [The absence of lost-wax casting in China’s Bronze Age]. Jianghan Kaogu [Jianghan Archaeology], 2, 80-85.
Zhou, W., Dong, Y., Wan, Q., & Wang, C. (2007). Zai lun ‘Shila gongyi bushi Zhongguo qingtong shidai de xuanze’ [A reconsideration of ‘Lost-wax casting was not a choice in China’s Bronze Age’]. Nanfang Wenwu [Southern Cultural Relics], 2, 41-48, 132.
Zhou, W., Dong, Y., Wan, Q., & Wang, C. (2009). New research on lost-wax casting in ancient China. In J. Mei & T. Rehren (Eds.), Metallurgy and civilisation: Eurasia and beyond (pp. 73-78). London, UK: Archetype.
Zhou, X. (2021). Gaomiao wenhua bajiaoxing wen de fengge yanbian he neihan yanjiu [Study on the stylistic evolution and connotation of the octagonal star pattern in Gaomiao culture]. Zhongguo Meishu [Chinese Fine Arts], 5, 83-87.
Zou, H. (1980). Xia-Shang-Zhou kaogu lunwenji [Collection of archaeological papers on Xia, Shang, and Zhou]. Beijing, China: Cultural Relics Press.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2025 Herança

This work is licensed under a Creative Commons Attribution 4.0 International License.

8.png)