Recontextualising Industrial Ruins through Visual Storytelling: A Conceptual Design Framework for Cultural Revitalisation

Authors

  • Lei Su Associate professor, College of Fine Arts, Chongqing Normal University, Chongqing, 401331, China
  • Xia Huang Master's student, College of Fine Arts, Chongqing Normal University, Chongqing, 401331, China

DOI:

https://doi.org/10.52152/heranca.v9i3/12631

Keywords:

Industrial Ruins, Visual Storytelling, Cultural Revitalisation, Industrial Heritage, Cultural Memory, Design Framework.

Abstract

Industrial ruins are increasingly recognised as culturally meaningful environments that preserve collective memory, labour identity, and material evidence of industrialisation and deindustrialisation. Nevertheless, most revitalisation projects continue to favour economic redevelopment or aesthetic reuse at the expense of the narrative of such sites. This paper suggests a conceptual design of utilizing visual story-telling to promote culturally competent regeneration of industrial ruins. The analysis was conducted on a corpus of archival photographs, documentary materials, exhibition examples, design case studies and visual models of the post-industrial heritage in order to use a qualitative, secondary visual ethnographic analysis. The analysis indicates that visual narration could mediate cultural memory by the use of narrative sequencing, material anchoring, temporal layering, symbolic contrast and aesthetic restraint. The framework is thus proposed as an idea synthesis and generalizable hypothesis and not as an empirically verified tool. Its practical implication is that it can be applied by designers, curators and heritage professionals to design interpretation in advance of physical redevelopment; it is limited by the fact that it lacks the primary fieldwork, community experimentation and validation of the site.

Downloads

Download data is not yet available.

References

Assmann, J. (1998). Collective memory and cultural identity. New German Critique, 65, 125-133. https://doi.org/10.2307/488538

Art, U. K. (2016). Hubert Robert and the art of the ruin. Retrieved from https://artuk.org/discover/stories/hubert-robert-and-the-art-of-the-ruin

Bergera, I., & de Esteban, J. (2022). Architecture and contemporary visual culture, the image of realism and the realism of image. Arts, 11(1), 26. https://doi.org/10.3390/arts11010026

Bruner, J. (1991). The narrative construction of reality. Critical Inquiry, 18(1), 1-21. https://doi.org/10.1086/448619

Carmona, M. (2021). Public places urban spaces: The dimensions of urban design. 3rd ed. London: Routledge.

Chu, J. H., & Mazalek, A. (2019). Embodied engagement with narrative: A design framework for presenting cultural heritage artifacts. Multimodal Technologies and Interaction, 3(1), 1. https://doi.org/10.3390/mti3010001

Cohn, N. (2020). Visual narrative comprehension: Universal or not? Psychonomic Bulletin & Review, 27(2), 266-285. https://doi.org/10.3758/s13423-019-01670-1

Della Lucia, M., & Pashkevich, A. (2023). A sustainable afterlife for post-industrial sites: Balancing conservation, regeneration and heritage tourism. European Planning Studies, 31(3), 641-661.

Denni, F. (2024). Narrative as a material: design framework for interactive narrative generation in immaterial cultural heritage. Politecnico di Milano.

Ding, J. (2024). Adopting the first-person perspective theory to safeguarding heritage craftsmanship in immersive virtual narrative design. The Hong Kong Polytechnic University.

Erll, A. (2011). Memory in Culture. Basingstoke: Palgrave Macmillan.

Frosh, P. (2020). Photography as a cultural industry: A historical-theoretical overview. In: The Handbook of Photography Studies. London: Routledge, 255-272.

Gaete Cruz, M., Ersoy, A., Czischke, D., & van Buren, E. (2022). A framework for co-design processes and visual collaborative methods: An action research through design in Chile. Urban Planning, 7(3), 363-378.

Garruccio, R. (2020). Visualising deindustrial ruins in an oral history project: Sesto San Giovanni (Milan). BIOS - Zeitschrift fur Biographieforschung, Oral History und Lebensverlaufsanalysen, 31(2), 80-101.

Giovannini, E. C., Lo Turco, M., & Tomalini, A. (2021). Digital practices to enhance intangible cultural heritage. The International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences, XLVI-M-1-2021, 273-278. https://doi.org/10.5194/isprs-archives-XLVI-M-1-2021-273-2021

Grazuleviciute-Vileniske, I., & Zmejauskaite, D. (2025). Archaeology of hidden values of underutilized historic industrial sites in context of urban regeneration and nature-based solutions. Buildings, 15(2), 205. https://doi.org/10.3390/buildings15020205

Guidetti, E., & Robiglio, M. (2021). The transformative potential of ruins: a tool for a nonlinear design perspective in adaptive reuse. Sustainability, 13(10), 5660. https://doi.org/10.3390/su13105660

Hamzaki, Z. (2023). Interactive documentary and non-profit engagement: building an inclusive story practice in heritage. Doctoral dissertation, University of York.

ICOMOS & TICCIH. (2011). Joint ICOMOS-TICCIH Principles for the Conservation of Industrial Heritage Sites, Structures, Areas and Landscapes: The Dublin Principles. Retrieved from https://www.icomos.org

Kisiel, P. (2021). When we say post-industrial - we mean ruins. Heritage & Society, 14(1), 20-45.

Lian, W. (2023). Classification and evaluation methods of modern urban industrial heritage landscape: A case study of Shaanxi Province, China.

Lotfi, F., Beheshti, A., Farhood, H., Pooshideh, M., Jamzad, M., & Beigy, H. (2023). Storytelling with image data: a systematic review and comparative analysis of methods and tools. Algorithms, 16(3), 135. https://doi.org/10.3390/a16030135

Lotman, J., & Tamm, M. (2019). Culture, memory and history: essays in cultural semiotics. Kent: Kent State University.

Martsin, M. (2018). Beyond verbal narratives: using timeline images in the semiotic cultural study of meaning making. Integrative Psychological and Behavioral Science, 52(1), 116-128.

Melis, A., Vavetsi, R., & Finotti, F. (2024). Graphic narratives for social transformation: weaving stories into the built environment. In: The Architecture of Exhibitions. London: Routledge, 31-48.

Nikolakopoulou, V., Koutsabasis, P. (2025). The making of participatory and co-design for digital experiences in cultural heritage: A review. CoDesign, 1-27.

Nora, P. (1989). Between memory and history: Les Lieux de Memoire. Representations, 26, 7-24. https://doi.org/10.2307/2928520

Otis, H. G. (2024). Revive and Thrive: The Art of Town Revitalization and Historical Preservation. Otis Publishing.

O'Toole, J. (2018). Institutional storytelling and personal narratives: reflecting on the value of narrative inquiry. Irish Educational Studies, 37(2), 175-189.

Panetsos, M. N. (2024). (Im)materiality: analysis of conceptual and historical material transformations and implications in collection, conservation and management in art institutions. Università Ca' Foscari Venezia.

Peng, W., Huang, Y., Ren, C., Yang, T., & Wang X. (2025). Suitability evaluation of architectural images built in communities based on the niche-fitness model. Buildings, 15(6), 881. https://doi.org/10.3390/buildings15060881

Portugal, C., Guimaraes, M. F., Dourado D., Norato B., Miguel L. D. S., & Alram F. (2025). Design, visual culture and inclusive narrative. In: Proceedings of EVA London 2025. London: BCS Learning & Development, 113-119.

Ricoeur, P. (1984). Time and Narrative, Volume 1. Translated by McLaughlin K and Pellauer D. Chicago: University of Chicago Press.

Ryan, M. L., Foote K., & Azaryahu M. (2016). Narrating Space/Spatializing Narrative: Where Narrative Theory and Geography Meet. Columbus: Ohio State University Press.

Sattler, J. (2015). Dealing with the past spatially: storytelling and sustainability in de-industrializing communities. European Journal of American Studies, 10(3), 1-19. https://doi.org/10.4000/ejas.11347

Scitaroci, M. O., & Scitaroci B. B. O. (2019). Models of revitalisation and enhancement of cultural heritage and sustainable use. In: Cultural Urban Heritage. Cham: Springer, 457-475.

Smith, N. (2024). Enchanting images: co-creative practice for image-making in community archaeology. In: The Routledge Handbook of Archaeology and the Media in the 21st Century. London: Routledge, 297-311.

Spiegel, S. J. (2020). Visual storytelling and socioenvironmental change: images, photographic encounters, and knowledge construction in resource frontiers. Annals of the American Association of Geographers, 110(1), 120-144.

Suvarnananda, C., & Kirdsiri, K. (2024). The regeneration of the historic area of Song Wat through the adaptive reuse of heritage buildings and the sense of place. Silpakorn University.

Tao, H., Wen, Y., Liu, M., & Wu, Y. (2025). Industrial heritage protection from the perspective of spatial narrative. Land, 14(5), 1105. https://doi.org/10.3390/land14051105

TICCIH. (2003). The Nizhny Tagil Charter for the Industrial Heritage. Moscow: The International Committee for the Conservation of the Industrial Heritage. Retrieved from https://ticcih.org

Van de Port, M. P. J., & Meyer, B. (2018). Introduction: heritage dynamics, politics of authentication, aesthetics of persuasion and the cultural production of the real. In: Sense and Essence: Heritage and the Cultural Production of the Real. New York: Berghahn, 1-39.

Walby, K., & Davis, B. (2024). Tailings and tracings: using art and social science to explore the limits of visual methods at mining and industrial ruins. Visual Communication, 23(2), 265-288.

Wang, Y., & Hou, B. (2024). Development of post-industrial heritage landscape design based on visual cognitive schema theory: a case study of the Shougang Industrial Cultural Heritage Site. Buildings, 14(10), 3194. https://doi.org/10.3390/buildings14103194

Downloads

Published

2026-07-30

How to Cite

Lei Su, & Xia Huang. (2026). Recontextualising Industrial Ruins through Visual Storytelling: A Conceptual Design Framework for Cultural Revitalisation. Herança, 9(3), 53–65. https://doi.org/10.52152/heranca.v9i3/12631