Reframing Women's Representation in Museum Exhibitions through a Feminist Museum Perspective
DOI:
https://doi.org/10.52152/heranca.v9i3/1247Keywords:
Gender Equality, Gender Inequality, Feminist Museum, Exhibition, Representation.Abstract
A feminist museum perspective aims to challenge the exhibition structures that have long been shaped by dominant viewpoints. In the context of gender, museum displays become a site of contestation between deeply rooted patriarchal perspectives and feminist approaches that aim to create more equitable representation of both men and women. Museums in Indonesia, such as the Jakarta History Museum, Sri Baduga Museum, Museum Keris Nusantara, and Mpu Tantular Museum, are increasingly expected to respond to contemporary demands for social justice, including gender equality. However, observations indicated that the exhibitions in these museums still fall short of providing proportional representation of women. This study identified key forms of gender inequality present in current practices, beginning with the absence of gender-sensitive commitments within institutional visions, missions, and curatorial frameworks. These gaps subsequently shape exhibition storylines that privilege material and masculine narratives. Imbalances also appear in the dominance of male-associated objects and the neglect of women-related content in collections, visual materials, and interpretive texts. To address these issues, several feminist museum strategies are proposed, such as integrating gender equality into institutional foundations, designing exhibitions that foreground socio-historical and socio-cultural contexts, and increasing women’s visibility as a corrective measure to historical marginalisation. Presenting sensitive content through dialogic interpretation is also encouraged to foster visitor reflection on past and present social conditions. This study contributes to ongoing efforts to strengthen museums’ roles as agents of social change in advancing gender equality.
Downloads
References
American Alliance of Museums. (2012). Developing a mission statement. Retrieved from https://www.aam-us.org/wp-content/uploads/2018/01/developing-a-mission-statement-final.pdf
Amsellem, R., & Hufschmid, P. (2022). 10 Ideas for a Feminist and Inclusive Museum. Geneva: International Red Cross and Red Crescent Museum.
Carey, P. (2012). Kuasa ramalan: Pangeran Diponegoro dan akhir tatanan lama di Jawa, 1785-1855 (Jilid 1) [The Power of prophecy: Prince Diponegoro and the end of an old order in Java, 1785-1855]. Jakarta: Kepustakaan Populer Gramedia.
Carey, P., & Houben, V. (2023). Perempuan-perempuan perkasa di Jawa abad XVIII–XIX [Formidable women in 18th-19th century Java]. Jakarta: Kepustakaan Populer Gramedia.
Caspari, M. (2024). Forms, voices, networks: Feminism and the media—contingent curation, archival activism, frictional relations. Women’s History Review, 33(1), 131-151. https://doi.org/10.1080/09612025.2023.2208414
Chaerunissa, Y. N. (2023). Menghadirkan materi gender-fair pada buku teks pembelajaran sejarah: Mungkinkah? [Presenting gender-fair materials in history textbooks: Is it possible?]. In Prosiding Seminar Nasional Sosial dan Humaniora: Mengembangkan Kehidupan Berbangsa yang Lebih Beradab [Proceedings of the National Seminar on Social Sciences and Humanities: Developing a More Civilised National Life], 124-142. Sanata Dharma University Press.
Chaerunissa, Y. N. (2025). Representasi perempuan pada pameran tetap Museum Keris Nusantara dalam perspektif museum feminis [Women’s representation in the permanent exhibition of the Museum Keris Nusantara from a feminist museum perspective]. Universitas Indonesia, Depok.
Chaerunissa, Y. N. (2025). Types of keris depicted on the panel at the Museum Keris Nusantara [Photograph]. Unpublished personal photograph.
Chaerunissa, Y. N. (2025). Visual materials depicting prehistoric humans dominated by male figures, at the Jakarta History Museum and the Sri Baduga Museum [Photograph]. Unpublished personal photograph.
Clover, D. E. (2022). Women’s and gender museum: Feminist pedagogies for illumination, imagination, provocation, and collaboration. In R. Evans, E. Kurantowicz, & E. Lucio-Villegas (Eds.), Remaking communities and adult learning: Social and community-based learning, new forms of knowledge and action for change (pp. 94-109) Leiden: Brill. https://doi.org/10.1163/9789004518032_007
Clover, D. E., & Sanford, K. (2018). The feminist museum hack: Making a creative disruptive pedagogical, investigative and analytical tool. Revista Lusófona de Educação, (42), 62-71.
Clover, D. E., Taber, N., & Sanford, K. (2018). The feminist museum hack: A pedagogy of seeing and possibility. Storia Delle Donne, 14, 125-140. https://doi.org/10.13128/SDD-25662
Creswell, J. W. (2014). Research design: Qualitative, quantitative, and mixed methods approaches (4th ed.). London: SAGE Publications.
Chaerunissa, Y. N. (2025). Photograph title [Photograph]. Unpublished personal photograph.
Putri, N. A. (2025). Photograph title [Photograph]. Unpublished personal photograph.
Fyfe, G. (2006). Sociology and the social aspects of museums. In S. Macdonald (Ed.), A Companion to Museum Studies (pp. 33-49). Malden: Blackwell Publishing.
Gosselin, V., & Livingstone, P. (2016). Museums and the Past: Constructing Historical Consciousness. Vancouver: UBC Press.
Hall, S. (2013). The work of representation. In S. Hall, J. Evans, & S. Nixon (Eds.), Representation: Cultural Representations and Signifying Practices (pp. 1-59). London: Sage.
Haryono, T. (2011). Keris dalam sistem budaya masyarakat Jawa tradisional ditinjau dari pendekatan arkeologi [The keris in traditional Javanese cultural systems: An archaeological approach]. In W. Wijayatno & U. Sudrajat (Eds.), Keris dalam perspektif keilmuan [Keris from a scholarly perspective] (pp. 33-77). Jakarta: Pusat Penelitian dan Pengembangan Kebudayaan, Badan Pengembangan Sumber Daya Kebudayaan dan Pariwisata, Kementerian Kebudayaan dan Pariwisata.
Hein, H. (2010). Looking at museum from a feminist perspective. In A. K. Levin (Ed.), Gender, Sexuality and Museums: A Routledge Reader (pp. 53-64). London: Routledge.
Hein, H. S. (2007). Redressing the museum in feminist theory. Museum Management and Curatorship, 22(1), 29-42. https://doi.org/10.1080/09647770701264846
Henning, M. (2006). New Media. In S. Macdonald (Ed.), A Companion to Museum Studies (pp. 302-318). Malden: Blackwell Publishing.
Hofstrand, D. (2023). Vision and mission statements -- A roadmap of where you want to go and how to get there. Retrieved from https://www.extension.iastate.edu/agdm/wholefarm/html/c5-09.html
Horgan, D. D. (1995). Achieving gender equity: Strategies for the classroom. Massachusetts: Allyn and Bacon.
Indonesia Kaya. (2023). Paras cantik Indonesia Episode 11: Ika Arista – Madura [Indonesia's Beautiful Faces Episode 11: Ika Arista – Madura]. Retrieved from https://indonesiakaya.com/indonesia-kaya-tv/paras-cantik-indonesia-episode-11-ika-arista-madura/
Jones, S., & Pay, S. (1994). The legacy of Eve. In P. Gathercole & D. Lowenthal (Eds.), The Politics of the Past (pp. 160-171). London: Routledge.
Kopytoff, I. (1986). The cultural biography of things: Commoditization as process. In A. Appadurai (Ed.), The Social Life of Things: Commodities in Cultural Perspective (pp. 64-91). Cambridge: Cambridge University Press.
Krasny, E., & Perry, L. (2025). Decolonising feminism in women’s museums: Women’s museums in an ecology of feminisms. Studies in the Education of Adults, 57(2), 234-247. https://doi.org/10.1080/02660830.2025.2542046
Kumar, A. (2008).Prajurit perempuan Jawa: Kesaksian ihwal istana dan politik Jawa akhir abad ke-18 [A Javanese female soldier: Testimony on the court and politics of Java in the late eighteenth century]. Jakarta: Komunitas Bambu.
Levin, A. K. (2020). Introduction: Museums, sexuality, and gender activism. In J. G. Adair & A. K. Levin (Eds.), Museums, Sexuality, and Gender Activism (First Edition, pp. 5-18). Oxon: Routledge.
Macdonald, S. (2006). Expanding museum studies: An introduction. In A Companion to Museum Studies (pp. 1-12). Malden: Blackwell Publishing. https://doi.org/10.1002/9780470996836.ch1
Magetsari, N. (2016). Perspektif arkeologi masa kini dalam konteks Indonesia [Contemporary archaeological perspectives in the Indonesian context]. Jakarta: Penerbit Buku Kompas.
Mäki-Petäjä, K. (2014). Aesthetic engagement in museum exhibition. Jyväskylä: University of Jyväskylä.
Marshment, M. (1993). The picture is political: Representation of women in contemporary popular culture. In D. Richardson & V. Robinson (Eds.), Thinking Feminist (pp. 123-150). New York: The Guilford Press.
Marwoto, I. (2019). From rubbish to cultural identity: Making archaeology relevant for the contemporary community. Wacana, 20(2), 317-351. https://doi.org/10.17510/wacana.v20i2.678
McGregor, K. E. (2008). Ketika sejarah berseragam: Membongkar ideologi militer dalam menyusun sejarah Indonesia [History in uniform: Military ideology and the construction of Indonesia's past]. Yogyakarta: Syarikat.
Moser, S. (2010). The devil is in the detail: Museum displays and creation of knowledge. Museum Anthropology, 33(1), 22-32. https://doi.org/10.1111/j.1548-1379.2010.01072.x
Nastiti, T. S. (2009). Kedudukan dan peranan perempuan dalam masyarakat Jawa Kuna (Abad VIII-XV Masehi) [The position and role of women in ancient Javanese society (8th-15th century CE)] (Dissertation). Universitas Indonesia, Depok.
Nugroho, W. A. (2019). Tinjauan perspektif feminis pada tata pamer Museum Perdjoangan Bogor [Feminist perspective in the Museum Perdjoangan Bogor exhibition] (Thesis). Universitas Indonesia, Depok.
Pirie, V. (1985). Women, heritage and museums. Archaeological Review from Cambridge, 4(2), 117-118.
Pollock, G. (1988). Vision and Difference: Feminism, Femininity and the Histories of Art. London: Routledge.
Putri, R. H. (2020). Nyi Sombro dan keris di tangan perempuan [Nyi Sombro and the keris in women’s hands]. Retrieved from https://www.historia.id/article/nyi-sombro-dan-keris-di-tangan-perempuan-vQJoB
Putri, N. A. (2025). The diorama depicting the process of making a keris, entirely composed of male figures [Photograph]. Unpublished personal photograph.
Sudrajat, U. (2018). Perajin keris wanita: Pemberdayaan wanita di tengah budaya patriarki Madura [Female keris craftmen: The empowerment of woman in the cultural patriarchy of Madura]. Patrawidya, 19(2), 49-60.
Swastika, A. (2023). Reclaiming domestic space; Decolonial feminism and women’s sovereignty in Southeast Asia and beyond within the context of artistic practice. Wacana: Journal of the Humanities of Indonesia, 24(1). https://doi.org/10.17510/wacana.v24i1.1172
Tosh, J. (2008). Why history matters. London: Macmillan Education.
Van Mensch, P. (2004). Museology and management: Enemies or friends? Current tendencies in theoretical museology and museum management in Europe. In E. Mizushima (Ed.), Museum management in the 21st century (pp. 3-19). Tokyo: Museum Management Academy.
Vaquinhas, I. (2019). Women’s museums today: Their creation, objectives and contribution to history. Arenal: Revista de Historia de Las Mujeres, 26(1), 275-297. https://doi.org/10.30827/arenal.v26i1.5572
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2026 Herança

This work is licensed under a Creative Commons Attribution 4.0 International License.


