Cultural integration and innovation in string music: A study on the transformation of Heze string music

Authors

DOI:

https://doi.org/10.52152/heranca.v6i2.765

Keywords:

Heze String Music, Transformation, Evolution

Abstract

This article seeks to scrutinize the reasons and factors for the transformation and evolution of Heze String Music. Changes in the practice of Heze String Music as observed by both cultural bearers and the younger generation of Heze string players can significantly contribute to sculpting the future trajectory of Heze String Music. The article's analysis can inform cultural policy and heritage conservation efforts. Recognizing the factors driving changes in Heze String Music may guide policies to support the continued vitality of this tradition, including education initiatives, funding support, and other cultural sustainability measures. This qualitative study employs methodologies including participant observations and interviews. The research is further enriched by the compilation and collection of audio and video recordings, historical records, concert programs, news articles, musical scores, images of musical instruments, and other significant print materials. This article reveals that the transformation and evolution of Heze String Music have been significantly influenced by sociocultural transformations, cross-genre interactions, education, economic, and technological advancements.

Downloads

Download data is not yet available.

References

Cao, X. L. (2017). Dui zhongshi zhongguo chuantong yinyue wenhua chuancheng yufazhan de zairenshi: Yi Shandong Sheng Heze xianyue wei li [Re-recognition of the inheritance and development of Chinese traditional music culture: A case study of Heze string music in Shandong Province]. Yi Hai, (1), 56.

Cao, X. L. (2017). Heze string yueyu nanlu shandongqinshu de guanxi ji fazhan xianzhuang tantao [Discussion on the relationship between Heze String Music and Nanlu Shandong qinshu and its current state of development]. JiaoXiang Journal of Xi’an Conservatory of Music, (1), 58-63.

Chen, L., & Liu, Q. (2013). Shandong sixianyue -- Peng Baban de tanxi [Shandong silk string music -- an analysis of Peng Baban]. Grand Stage, (1), 9-60.

Clare, C. S. C. (2017). Sustainability of indigenous folk tales, music, and cultural heritage through innovation. Journal of Cultural Heritage Management and Sustainable Development, (8), 343.

Duan, W. (2018). Shandong heze stringyue chuancheng moshi yanjiu [Study on the inheritance mode of string music in Heze, Shandong Province]. Northern Music, (1), 84.

Heze Municipal Bureau of Culture. (2007). Zhongguo feiwuzhi wenhua yichan xiangmu shenbaoshu [China Intangible Cultural Heritage Project Application Form]. Beijing, China: Ministry of Culture of the PRC.

Li, Y. (2015). Zaitan dili huanjing yu minjian yinyue zhi chucun guanxi-yi heze diqu minjian yinyue weili [On the relationship between geographical environment and folk music storage - Taking Folk Music in Heze Area as an Example]. Chinese Music, (2),135.

McLaren, A. E. (2010). Revitalisation of the folk epics of the lower Yangzi delta: An example of China's intangible cultural heritage. International Journal of Intangible Heritage, (5), 30.

Ministry of Culture and Tourism. (2020). Guanyu cujin lvyou yanyi fazhan de zhidao yijian [Guidance on promoting the development of tourism performance]. China Tourism News, (1).

Qi, M. (2019). Hezestringyue de chuancheng xianzhuang yu baohu lujing yanjiu [Research on the inheritance status and protection path of Heze String Music]. Evaluation of Art, (1), 23.

Qi, Y. (2020). Henan Bantou Qu yu Shandong Peng Baban de yitong--yi pipa weili [A Comparative Study of Henan "Bantou Qu" and Shandong "Peng Baban" using the pipa as an Example]. Beifang Yinyue, (5), 27.

State Council. (2018). Guanyu cujin quanyu lvyou fazhan de zhidao yijian [Guidance on the promotion of the development of all-area tourism]. Beiing, China: State Council.

Su, X., Li, X., & Kang, Y. (2019). A bibliometric analysis of research on intangible cultural heritage using CiteSpace. Sage Open, 9(2), 2158244019840119.

Sun, A. (2020). Shandong heze stringyue de diaocha yu yanjiu [Investigation and Research on string music in Heze, Shandong Province]. Qingdao University, 38-50.

Tan, S. B. (2008). Activism in Southeast Asian Ethnomusicology: Empowering youths to revitalize traditions and bridge cultural barriers. Musicological Annual, 44(1), 69-84.

Wang, Y. (2009). Guqin: Aesthetic externalization of the political function of “Shi”. Yunnan Social Sciences, (2), 80-83.

Wang, Y. R. (2000). Peng Baban yanjiu [Study on Peng Baban]. China Academy of Art, (1), 1-22.

Witzleben, J. L. (2017). Silk and Bamboo Music in Shanghai: The Jiangnan Sizhu Instrumental Ensemble Tradition. Kent, USA: Kent State University Press.

Yu, H. (2017). Oriental Music in the Digital Age. Hangzhou, China: Zhejiang University Press.

Yuan, J. F. (1999). Yuezhongxue [Music Genres]. Beijing, China: Hua Yue Publishing.

Zhang, H.W. (2018). Xinxi Shidai Qilu Minjian Yinyue huanbo Shengtai de”Zijueshi”Wenhua Jiangou [Conscious Cultural Construction of the Dissemination Ecology of Shandong Folk Music in the Information Age]. Baijia Pinglun, (5), 82.

Zhang, T. T. (2009). Yuncheng Zhengyue Diaocha Yu Yanjiu [Investigation and Research on Yuncheng Zheng Music]. Shijiazhuang, China: Hebei Normal University.

Zhang, Y. (2020). Wenlv ronghe shijiao xia heze lvyou yanyi fazhan yanjiu [The Development of Tourism Art Performance in Heze Based on the Integration of Culture and Tourism]. Journal of Heze University, (4), 136.

Downloads

Published

2023-10-19

How to Cite

Zhao, T., Yeoh, J. P. S., & Loo, F. C. (2023). Cultural integration and innovation in string music: A study on the transformation of Heze string music. Herança, 6(2), 61–73. https://doi.org/10.52152/heranca.v6i2.765