Exploring the Development, Themes, and Contemporary Perspectives of Chinese Architectural Painting
DOI:
https://doi.org/10.52152/heranca.v7i4.940Keywords:
Chinese Art, Architectural Painting, History, Art Development, Contemporary PerspectivesAbstract
China, as a historical country, its economic prosperity has promoted the progress of art, art painting and architecture are inextricably linked. Architectural painting is the perfect meeting point of the two, exuding a unique artistic charm, waiting for our careful taste. This paper mainly discusses the following aspects: first, this paper reviews the development of Chinese architectural painting; second, it combs the development of architectural painting in ancient China; next, it expounds on the process of the emergence, development, prosperity and decline of architectural painting with the appearance of boundary painting as the demarcation point, which focuses on the heyday of its development—Song Dynasty; then, the theme of Chinese architectural painting is divided into four categories: garden, palace, custom and religion, and the development and characteristics of each category are explained. At last, the paper discusses the basic situation of contemporary architectural painting, and looks forward to its future development prospects. Architectural painting is the treasure of the world of painting art. This paper strives to deeply, comprehensively and objectively explore architectural painting, hoping to attract people’s attention to this subject of painting at the same time. We hope to provide contemporary painters with rich artistic expression forms, artistic techniques and aesthetic taste.
Downloads
References
Andrian, T., Pujals, S., & Albertazzi, L. (2021). Quantifying the effect of PEG architecture on nanoparticle ligand availability using DNA-PAINT. Nanoscale Advances, 3(24), 6876-6881.
Beaulieu, J., & Roberts, M. (Eds.). (2002). Orientalism’s interlocutors: Painting, architecture, photography. Durham, NC: Duke University Press.
Besgen, A. (2015). Teaching/learning strategies through art: Painting and basic design education. Procedia-Social and Behavioral Sciences, 182, 420-427.
Bigas Vidal, M., Farré, L. B., Fernández-Morales, A., Font Basté, G., Li, G., Quan, L., & Recasens, M. (2015). The whole city was a landscape. Nature, architecture and painting in the work of Wang Shu. Revista de EGA, 20(25). https://doi.org/10.4995/ega.2015.3699
Cheng, M., & Hung, T. W. (2018). Essential terms of Chinese painting. Hong Kong, China: City University of Hong Kong Press.
Cheng, Y. (2004). Study of Dong Nationality village and its culture. Journal of Civil and Environmental Engineering, 26(2), 32-35.
Chiang, Y. (1964). The Chinese eye: An interpretation of Chinese painting (Vol. 62). Midland, TX: Midland Books.
Collins, B. R. (1989). Art: A history of painting, sculpture, and architecture. Art Journal, 48(2), 190-194.
Dahl, E. (2010). Towards a phenomenology of painting: Husserl’s horizon and Rothko’s abstraction. Journal of the British Society for Phenomenology, 41(3), 229-245.
Fong, W. C. (2003). Why Chinese painting is history. The Art Bulletin, 85(2), 258-280.
Fu, P., Teri, G., Li, J., Huo, Y., Yang, H., & Li, Y. (2021). Analysis of an ancient architectural painting from the Jiangxue Palace in the Imperial Museum, Beijing, China. Analytical Letters, 54(4), 684-697.
Gosetti-Ferencei, J. (2018). Phenomenology and the Imagination of Modernism. In A. Mildenberg (Ed.), Understanding Merleau-Ponty, Understanding Modernism (pp. 117-131). London, UK: Bloomsbury Academic.
Huang, Y., & Zheng, G. (2023). The influence and function of the public art industry on aesthetic education under the background of new curriculum reform. Herança, 6(2), 174-189.
Ingarden, R. (1975). Phenomenological aesthetics: An attempt at defining its range. The Journal of Aesthetics and Art Criticism, 33(3), 257-269.
Jin, B., & Rafee, Y. M. (2023). The challenges and development strategies of contemporary Chinese painting: Centered on art creation and education. Highlights in Art and Design, 3(1), 61-67.
Kelley, C. F. (1951). Chinese painting. The Art Institute of Chicago Quarterly, 45(4), 67-74.
Laporte, P. M. (1953). Architecture to painting in the Middle Ages. Journal of the Society of Architectural Historians, 12(4), 8-11.
Lawlor, L. (1998). The end of phenomenology: Expressionism in Deleuze and Merleau-Ponty. Continental Philosophy Review, 31, 15-34.
Liong, S. T., Huang, Y. C., Li, S., Huang, Z., Ma, J., & Gan, Y. S. (2020). Automatic traditional Chinese painting classification: A benchmarking analysis. Computational Intelligence, 36(3), 1183-1199.
Molodkina, L. (2019). Phenomenology of the formation of “Meanings” in architecture. Agathos, 10(1), 73-88.
Otero-Pailos, J. (2012). Architectural phenomenology and the rise of the postmodern. The Sage Handbook of Architectural Theory, 136-151.
Palyvou, C. (2012). Wall painting and architecture in the Aegean Bronze Age: Connections between illusionary space and bulit realities. In Minoan Realities: Approaches to images, architecture, and society in the Aegean Bronze Age (pp. 9-26). Louvain-la-Neuve, Belgium: Presses Universitaires de Louvain.
Raymond, G. L. (1909). Painting, sculpture and architecture as representative arts. New York, NY: Putman’s Sons.
Salado, A., Iandoli, L., & Zollo, G. (2016, July). Painting systems: From art to systems architecting. In INCOSE International Symposium (Vol. 26, No. 1, pp. 773-787). https://doi.org/10.1002/j.2334-5837.2016.00192.x
Seamon, D. (2000). Phenomenology, place, environment, and architecture: A review of the literature. Phenomenology Online, 36, 1-29.
Sutherland, Z. D. (2013). A phenomenology of conceptual art (Doctoral dissertation, University of Sussex, Brighton, UK). Retrieved from https://sussex.figshare.com/articles/thesis/A_phenomenology_of_conceptual_art/23400272?file=41125463
Waley, A. (1923). An introduction to the study of Chinese painting. New York, NY: Charles Scribner’s Sons.
Wang, C., & Ni, X. (2023). The relationship between the historical development of mustard garden Shan shui and Chinese traditional culture. Herança, 6(1), 143-157.
Xing, L., Razak, H. A., & Noh, L. M. B. M. (2023). The aesthetic development of traditional Chinese landscape painting in contemporary landscape painting. Art and Performance Letters, 4(7), 53-63.
Yamash, Y., Prokopchuk, I., Pelekh, M., Padovska, O., & Zherebetska, O. (2024). The theme of flowers as a sign of impressionism on the example of the work of Ivan Trush (1869-1941). Herança, 7(1), 126-135.
Zheng, X. (2024). Integration of multiple features in Chinese landscape painting and architectural environment using deep learning model. International Journal of Intelligent Systems and Applications in Engineering, 12(6s), 593-606.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2024 Herança
This work is licensed under a Creative Commons Attribution 4.0 International License.
8.png)
